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Los Angeles Times Culture Monster

A spinoff (of sorts) to 'Marvelous Wonderettes'
Since it ran for nearly two years in Los Angeles, "The Marvelous Wonderettes" has become a certifiable stage franchise, with a production currently running off-Broadway in New York, and two others set to open in Chicago and Miami in the coming months.

L.A. Weekly

Stage Raw: Coming Home
A sequel to his 1995 post apartheid play Valley Song, Athol Fugard's latest work, Coming Home, tells of the decimation of one person's dream and the recasting of ....

San Francisco Chronicle

Theater review: Don Reed's 'East 14th'

San Jose Mercury News

S.F. Symphony's 'Iolanthe' is merely amusing when it should be uproarious
As Gilbert and Sullivan's preposterous Lord Chancellor, a lecher and pompous birdbrain of legalisms, baritone Richard Suart inhabits the full ridiculousness of the material. The other leads sing their hearts out, but, as actors, a team they do not make.

Seattle Times

Whoriskey: Intiman's next American Cycle may include works by John Irving, Richard Wright
Intiman Theatre's newly announced co-artistic director Kate Whoriskey, who will take over from the Tony-winning Bartlett Sher in 2011, says the next five-year American Cycle will include plays based on Richard Wright's "The Invisible Man" and John Irving's "The World According to Garp."

ArtsWest gets $50,000 grant from Paul G. Allen Family Foundation
Theater brief: ArtsWest has won a $50,000 grant from the Paul G. Allen Family Foundation for its capital campaign, Full Speed Ahead.

Seattle PostGlobe

THEATER REVIEW: the break/s (at ACT)
In his inspiring, motion-driven performance piece currently installed at ACT, Marc Bamuthi Joseph begins by asking the simple question, “What is hip-hop?”