Archives for: March 2009, 31
ATW Review - To Whom It May Concern - Battle Scars Breed Surprising Friendship
By Andy Propst on Mar 31, 2009 | In ATW Reviews
At its heart, Aurin Squire's To Whom It May Concern is an oddball love story. The romance is set in motion when Lorenzo (Israel Gutierrez) writes a "fan letter" to Maurice (Matt Alford), a marine whose bravery while serving in Afghanistan has been widely reported in papers throughout the U.S. The relationship that develops between Lorenzo and Maurice, first via handwritten letters, then email and finally instant messages, not surprisingly is based on a misassumption that Maurice makes when reading Lorenzo's first letter which is signed simply "L.L." Maurice assumes that Lorenzo is a young woman, and Lorenzo, a nervous gay teen in Abilene, KS, does nothing to set the record straight, as it were.
From this comic premise, Squire shifts "Concern" to more dramatic ground once Maurice has landed stateside and comes to Abilene to make good on a fantasy they've typed about online. Maurice breaks into Lorenzo's bedroom – using the ladder that Lorenzo leaves outside for other reasons. – and crawls into bed with his paramour. During the course of their night together, Lorenzo and Maurice reveals scars that, while not making them necessarily the perfect soul mates, do make them kindred spirits in need of one another's friendship.
Squire's writing, on the whole, is sensitive and generally avoids melodrama, which could be an easy pitfall with a piece charged with more than a little homophobia. His portrait of Lorenzo, who's not yet 16 and suffering from ostracism both at school and home, is simultaneously warm and unflinchingly clear-sighted. Equally pungent is his depiction of Maurice, who is haunted by the legacy of his widely-reported actions on the streets of Kabul.
The actors, working within the confines of Bruce Eyster's set, which awkwardly attempts to bring Lorenzo's bedroom to life and also serve as a "split screen" when the guys are writing to one another, deliver solid performances that navigate the twists and turns of Squire's script with precision. Gutierrez is at his best when Lorenzo, who might just be too bright for his own good, is waxing blisteringly ironic. He nearly soars during some of Lorenzo's most dramatic moments, but his work is ultimately eclipsed by Alford's when Maurice describes the actual events that led to his military commendations.
Director David Gaard ensures that the piece unfolds with an amiable tautness, but there is a sense of fussiness to his staging, which could simply stem from some of Squire's overwriting of certain sequences once Lorenzo and Maurice have met. With some judicious pruning, though, "Concern" has the potential to not only be a terrific coming-of-age story (for both characters), but also a terrific piece of theater that explores how war affects some of the youngest men who have enlisted.
---- Andy Propst
To Whom It May Concern plays at the Arclight Theatre (152 West 71st Street). Performances are Wednesday through Saturday at 8pm, and Sunday at 3pm. Tickets are $35.0 and can be purchased by calling 212-352-3101 or by visiting www.TheaterMania.com.
ATW Digest - New Musical Happiness Debuts - read the reviews
By Andy Propst on Mar 31, 2009 | In ATW Digest
New York Times
Accidental Tourists, on a Train to Eternity
Despite top-grade production values and a polished cast, this anxious smiley face of a musical slumps into a funk soon after it begins.
New York Daily News
No light at the end of this tunnel
When you hear the subway advisory, "Stand clear of the closing doors," it means the train is about to depart. The announcement for the frustrating new show "Happiness" at Lincoln Center could be trimmed to "Stand clear."
Newsday
Stroman disappoints with new musical 'Happiness'
Oh, dear. As if the MTA didn't have enough trouble, here comes "Happiness" - Susan Stroman's disappointing new musical about nine New Yorkers stuck in a subway car.
New York Post
Don't hop on: this train's stuck & so are we
The train of life moves on," a conductor named Stanley sings. Except, as MTA riders know all too well, when it doesn't. In the new musical "Happiness," a motley group of nine New Yorkers is held captive in a subway train stuck between stations. When Stanley (Hunter Foster) tells them they can leave the car once they...
Hartford Courant
New York Stage: 'Happiness' Doesn't Live Up To Its Name
Bloomberg.com
Mysterious Subway Transports Dead Strangers to Eternal Bliss: John Simon
Strangers in a New York subway car bound for -- who knows where? -- may not seem to be the most surefire bet for a musical.
Variety
Review: Happiness
But despite the best intentions of everyone involved, and the resources of Lincoln Center Theater, this underwhelming meditation on mortality doesn't resonate at all.
Hollywood Reporter
Theater Review: Happiness
Bottom Line: You'll find only fleeting moments of it in this high-concept musical.
Back Stage
Happiness reviewed by Erik Haagensen
Happiness is also that rare animal: a new American musical not based on a source in another medium. All of which makes it frustrating to report that, unhappily, Happiness falters.
TheaterMania
Review: Happiness
This sweet musical fable about the need to seize each moment is buoyed by a top-notch creative team and a superb cast.
Talkin' Broadway
Review: Happiness
If real MTA employees were as helpful as Stanley, the subway conductor at the center of the new musical Happiness at the Mitzi E. Newhouse Theater at Lincoln Center, New Yorkers might not mind the impending fare hikes. Stanley may be bitter, brooding, and unapproachable, but once you leave the station, he’ll ensure you get where you need to be, even if it’s not where you expect or think you want to go. . . .
ATW Digest - Camargo Opens TFANA Hamlet - read the reviews
By Andy Propst on Mar 31, 2009 | In ATW News, ATW Digest
New York Times
Surrounded by So Many, One Soul Remains Alone
Christian Camargo’s virtually perfect portrayal of Hamlet is the second Shakespearean astonishment in a row from Theater for a New Audience.
Associated Press
Christian Camargo Stars in a Stylish 'Hamlet'
The current off-Broadway revival of ''Hamlet'' is modern, streamlined and primarily black and white, but there is plenty of color, as always, in the centuries-old richness of Shakespeare's words.
Variety
Review: Hamlet
There's a sleek modernist gloss to Theater for a New Audience's "Hamlet" and Christian Camargo certainly brings contemporary standards of pale male beauty to the soulful Prince of Denmark. But whatever fresh ideas helmer David Esbjornson might have intended are too often drowned out by the visual bedlam of the design elements and the inconsistent performance styles.
TheaterMania
Review: Hamlet
Christian Camargo's hit-and-miss performance as the title character damages an otherwise fine production of Shakespeare's greatest tragedy.
Back Stage
Hamlet reviewed by Ron Cohen
With an accomplished, classically adept cast and a handsome production, Theatre for a New Audience offers a rich and respectful rendering of Hamlet.
CurtainUp
nytheatre.com
Review: Hamlet
Theatre for a New Audience is reviving Hamlet in a provocative production helmed by David Esbjornson; our reviewer Alyssa Simon says it explores big themes and contemporary issues in powerful ways.